For years now, along with my wife, my most faithful traveling companion has been a laptop. For a while it was a heavy dude–a Lenovo Thinkpad with a version of Windows; the hardware was bulky, the software balky. I nested it in a leather bag I slung over my shoulder and lugged it through terminals, into and out of hotels. Then came a MacBook, a lighter load, a faster operating system. Sleek, fast. But still: heavy.
Next generation writing tools are more minimal (or less maximal): my IPhone and an iClever portable keyboard, a tri-folding device only slightly larger than an iPhone. In a bar or coffee shop I can prop my phone up on a bag of sugar. I can draft in GoogleDocs on an actual keyboard, post text to my blog, and upload pictures. One device to ctharge at nigh. No limits, as far as I can tell right now.
March 20, 2018
For Immediate Release
UNIVERSITY OF NEBRASKA PRESS
American English, Italian Chocolate is named 2017 Foreword INDIES Book of the Year Awards Finalist
As part of its mission to discover, review, and share the best books from university and independent publishers (and authors), independent media company Foreword Magazine, Inc. hosts its annual awards program each year. Finalists represent the best books published in 2017. After more than 2,000 individual titles spread across 65 genres were submitted for consideration, the list of finalists was determined by Foreword’s editorial team. Winners will be decided by an expert team of booksellers and librarians
“Choosing finalists for the INDIES is always the highlight of our year, but the job is very difficult due to the high quality of submissions,” said Victoria Sutherland, founder/publisher of Foreword Reviews. “Each new book award season proves again how independent publishers are the real innovators in the industry.”
Winners in each genre—along with Editor’s Choice Prize winners and Foreword’s INDIE Publisher of the Year—will be announced June 15, 2018.
Dear Family and Friends,
This year there will be no Christmas mustache. I do not refer to my face. I refer to our hearth, which Tizi has adorned the past few years with a horizontal wreath. In the off-season she collects holiday greenery and reddery. She’ll say, “Hey, let’s stop at English Gardens.” Definitely my idea of a good time. We come out of the store loaded with artificial poinsettia blossoms, faux holly branches laden with berries, assorted sprigs and stems, fronds and vines, shoots and peduncles. In prior years, bent over these decorative riches, she lashed together a long, narrow pastiche of holiday flora that, to my eye, looked like a festive Snidely Whiplash mustache. Same ingredients this year, except more; less linear, more rectangular arrangement. Suitable for framing. Continue reading
The first scene tells us so much.
In Linda Sienkiewicz’s novel, In the Context of Love, in the very first scene a woman and her two children visit the husband-father in prison. The encounter is shot through with awkwardness: bewildered children, humiliated wife, appalling institutional sterility. “The four of us sat at a metal table,” the narrator, Angelica Lowsley, observes, “falling into the same seating arrangement we used to take at the dinner table.” Gavin, the husband, tries to make small talk, tries to connect with his children, while Angelica tries to control her rage at her husband, at the situation, at what her life has become. This is a context of love. Rock bottom. Continue reading
Searching for Nannie B is many things: part detective story, part how-to manual, part imaginative voyage across space and time to recover the identify of a lost family member. Continue reading